Farnham / London
This is the 5th concert after Gildas Quartet (UK, Oct 2019), Marcus Kaiser (DE, May 2019), Stefan Thut (CH, April 2019), Jessica Aslan and Emma Lloyd (UK, March 2019)
With James E Armstrong (ukulele), Gabrielle Hb (voice), Petri Huurinainen (acoustic guitar), Artur Vidal (saxophone), Emmanuelle Waeckerlé (voice, objects), Harry Whalley (Synths/Percussion), Yifeat Ziv (voice)
UCA Cinema 24/02/2020, 4 pm
Iklectik, 25/02/2020, 7.30pm
Sonic meditation XIX (Pauline Oliveiros, 1971) Deep listening and tuning in to one self and one’s environment.
Solo: a little story(2016-2020) Little acoustic stories developed through my listening to the world and collecting noises.
Breath (2019) The soft sound of breathing unfolds, spreads, travels and mixes with the wind.
Floating moment (2019) A moment in time is narrated through a precise written descripton of sonic and visual events, thus becoming a score that can be reproduced in musical form.
Approchoaches and Departure – Appearance and Disappearances (Pauline Oliveros 1994) The score provides each performer with a strategy for approaching or departing from a pitch of his or her own chosing.
(Recording of the Iklektik concert by Isa Ferri available here with timings in summary).
Marie Cécile Reber
Swiss composer Marie-Cécile Reber works with field recording and electronic instruments to transform unusual and imperceptible sounds, mostly of Nature (insects, frogs, ants or worms) into pictorial soundscapes, live performances and site specific installations. At the heart of Reber’s working methods lies the subtle border between concrete noise and musical sounds, natural rhythms and composed ones.
here.here concert series
a collaboration between bookRoom and the Audio Research Cluster at UCA Farnham, curated by Emmanuelle Waeckerlé and Harry Whalley, around their common research in extended, textual, visual, gestural and object scores and ways to integrate or experience technology in text / music / film / performances. The project is supported by UCA research fund.