Previous Previous Voice and electronics: territorialise/deterritorialise/reterritorialise.
With N.O. Moore, Lottie Sadd, Emmanuelle Waeckerlé, Yifeat Ziv

Thursday 20th April, at 8pm
Live Streamed from London IKLEKTIK

This is the 7th iteration of the series of streamed concerts after Greg Caffrey( IE, March 2021), Marie Cécile Reber (CH, Feb 2020), Gildas Quartet (UK, Oct 2019), Marcus Kaiser (DE, May 2019), Stefan Thut (CH, April 2019), Jessica Aslan and Emma Lloyd (UK, March 2019).

On this occasion, we are exploring the potential of ‘a dialectical play between the organic and electronic’, (Hyperobjects,Tim Morton 2013) , of what voice and electronics can do to each other.

to copy the speech without saying it directly (Lottie Sadd, 2021)
performed by Lottie Sadd

La Notte (N.O. Moore and Emmanuelle Waeckerlé, 2021)
performed by Yifeat Ziv and Emannuelle Waeckerlé (voice) , N.O. Moore (electronics)

The works address the potential of the voice as sound, and of sound as meaning. The grain of the voice - a cry, shout or song - sets a space of orientation by which meaning becomes possible. Yet, these meanings – and the voiced territory that grounds them – remain contingent, negotiable, welcomed, and misunderstood. The voice consoles and terrifies. (N.O Moore).

Press Release download

The concert series, is a collaboration between bookRoom and the Audio ResearchCluster at UCA Farnham, curated by Emmanuelle Waeckerlé and Harry Whalley, around their common research in extended, textual, visual, gestural and object scores and ways to integrate or experience technology in text/music/film/performances. The project is supported by UCA research fund.



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